Is A Home Or Soundstage Production Of “Home And Family.”?

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Home and Family, an Emmy-nominated daytime lifestyle series on the Hallmark Channel, is set to resume production on March 29, with first-run episodes resuming on April 5 in a new one-hour format. The show was canceled in March 2021 due to COVID-19 shutdowns, but fans were encouraged not to panic. A Jan. 6, 2021 update on the show’s official Twitter account revealed that the show will return in a reimagined format.

A sound stage is a large, soundproof structure used for theatrical film-making and television production. The interior of 6210, including several bedrooms, the entry way, dining room, family room, and kitchen, was meticulously recreated on a sound stage. The exterior shots of the house in the exterior shots are likely real, as they depict a real house in the early 20th century.

Home and Family is an American daytime talk show that premiered on April 1, 1996, on The Family Channel. The series was dropped by the network when it was picked up for prime time. Broadway Stages is thrilled to be part of this and many other projects. Universal Studios Florida Production Group’s (“USFPG”) sound stage operations opened in October 1988, as the first operating division at Universal.

The “Home Alone” house is one of the most iconic movie homes ever, and location agencies try to match your house with producers and charge you 20-30 commissions. The exterior shots of the house in the exterior shots are likely real, and the interior of the house is a two-story contemporary home in the Brentwood area of Los Angeles.

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The stereo soundstage is a big part of high-end audio. Which components in the chain have the greatest impact on building the …


Was Modern Family Filmed On A Soundstage
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Was Modern Family Filmed On A Soundstage?

La mayor parte de "Modern Family" se filmó en estudios, principalmente en los 20th Century Fox Studios, ubicados en Century City, Los Ángeles, California. Aunque el programa está ambientado en un suburbio de Los Ángeles, la mayoría de las escenas interiores se grabaron en sets construidos en este estudio. La serie utiliza una casa real para las tomas exteriores, que se encuentra en el área de Brentwood, pero los interiores fueron filmados en un escenario. A pesar de que las casas de los personajes fueron creadas para la cámara, existen fotos y sitios web que muestran cómo son en la realidad, pero estos no incluyen el interior de las casas.

Ocasionalmente, el equipo de producción sale a filmar en locaciones de Los Ángeles y áreas cercanas, pero las escenas más comunes se desarrollan en torno a las casas de la familia. La serie, que cuenta con un elenco como Ed O'Neill y Sofía Vergara, fue filmada en diversas localizaciones a lo largo del tiempo, incluyendo el Westside Pavilion Mall y otros lugares en California. "Modern Family" es uno de los sitcoms más populares del mundo y estuvo al aire desde el 23 de septiembre de 2009 hasta el 8 de abril de 2020.

Why Is The Dunphy House Blurred On Google Maps
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Why Is The Dunphy House Blurred On Google Maps?

Government officials, CEOs, and celebrities often have their homes blurred on Google Maps to ensure privacy and security. Homes featured in popular media, like the house from Home Alone, are typically obscured to prevent unwanted attention. When such properties change hands, new owners may request blurring to avoid exposure. Google allows individuals to request the removal of images that might infringe on their privacy. The primary reason for blurring is to protect homeowners from the potential risks associated with having their residences easily identifiable.

Initially, Google’s Street View cameras produced lower-resolution images, which have since improved, resulting in some earlier unblurred footage still being available. Residents can directly submit a request for their home to be blurred, which is straightforward to execute. Blurring also addresses safety and identity concerns, as some individuals prefer their homes to remain private. While it can be fun for some to blur properties as a prank, many homeowners genuinely desire this feature to protect their personal space from public scrutiny. Once a home is blurred, the modification is permanent and cannot be reversed, reinforcing the importance of homeowners’ privacy.

What Is The Downside To Filming On A Soundstage
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What Is The Downside To Filming On A Soundstage?

Filming on a soundstage has its drawbacks, primarily involving the necessity for constructing sets from scratch, which can be both costly and time-consuming. In contrast, outdoor filming is subject to challenges like unpredictable weather and unclear audio levels but generally requires less set construction. Each environment has unique benefits and limitations: soundstages provide a controlled atmosphere where lighting and sound can be optimized. However, once a scene is filmed in such a setting, it is final in terms of the visual environment, unlike greenscreen options.

Meanwhile, outdoor shoots may struggle with background noise or force filmmakers to manage conditions like wind, which can compromise audio quality. A soundstage is essentially a large, soundproofed area crafted for film and television production, ensuring clean sound capture, though it lacks natural elements like windows. Ultimately, the decision between soundstage and location shooting often depends on project budgets, with larger budgets favoring proper soundstages, while location shooting can offer more realistic settings despite the potential for complications. Hence, the choice depends on specific production needs and resources available.

Why Do Filmmakers Use Soundstages
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Why Do Filmmakers Use Soundstages?

Soundstages have evolved from simple large rooms into crucial venues for modern filmmaking, enabling filmmakers to manipulate sound and lighting effectively. Originating in response to the advent of sound in the late 1920s, soundstages provide soundproof settings that allow for the accommodation of elaborate set designs and controlled auditory experiences. They create an environment where filmmakers can manage sound recording and lighting without external interference, thereby enhancing storytelling and production quality. Equipped with advanced technologies, including LED volume for real-time rendering, soundstages support both picture and sound production seamlessly.

Filmmakers face the choice of shooting on location or utilizing soundstages, with the latter often being more cost-effective and offering greater control over environmental factors. Renting soundstages, which can be affordable, allows for larger production elements that might not be feasible in real-world locations. The design of soundstages ensures complete control over various aspects of production, helping directors achieve high production values and avoid unwanted noise interference. Overall, soundstages continue to play an indispensable role in the filmmaking process, providing the necessary conditions to bring creative visions to life with precision and quality.

Is Modern Family Filmed In Front Of A Live Audience
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Is Modern Family Filmed In Front Of A Live Audience?

Three-camera sitcoms, like "The Big Bang Theory," are recorded in front of a live audience, contrasting with the rising popularity of single-camera shows, such as "Modern Family," which lack live audience laughter. Single-camera formats allow more freedom for location shooting and are typically filmed over multiple days. This is different from the traditional multi-camera sitcoms, which complete filming in one night before a studio audience. A live audience contributes to a sense of predictability, as seen in shows like "Friends," where audience reactions are integral to the experience.

"Modern Family," aired on ABC from 2009 to 2020 with 11 seasons, employed a unique style reminiscent of film, featuring characters speaking directly to the camera in a mockumentary format. Despite being labeled "single-camera," these shows often utilize multiple cameras but avoid live audiences to engage viewers more intimately.

In contrast, productions like "WandaVision" employ different filming techniques, such as green screens. Recent trends indicate networks and streaming services favor single-camera productions over multi-camera formats to enhance viewer connection. As a result, contemporary sitcoms such as "Silicon Valley" and "The Last Man on Earth" exemplify this shift, utilizing a film-like approach without live audiences, distinguishing them from earlier sitcom traditions.

What Is The Sound Stage In A Movie Studio
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What Is The Sound Stage In A Movie Studio?

A sound stage (or soundstage) is a large, soundproof building or room specifically designed for film and television production. These expansive, warehouse-like structures typically feature high ceilings and large doors to accommodate various sets and props. The purpose of sound stages is to provide a controlled environment where filmmakers can capture high-quality audio and visuals without external noise interference.

Sound stages were developed in response to the introduction of sound in filmmaking, allowing for better auditory experiences in storytelling. They enable greater creative control for directors and sound engineers during the production process. Unlike typical photo studios, sound stages are tailored for projects requiring clear sound recording alongside visual elements.

A sound stage serves as a vital infrastructure in the film and television industry, equipped to support the technological needs of productions involving both sight and sound. These versatile spaces can be rented by production companies for filming, making them an essential component in the creation of high-quality cinematic content. With advanced soundproofing measures, sound stages significantly reduce sound bleed, ensuring an optimal acoustic environment for various types of media production.

Are Any Shows Still Filmed In Front Of A Live Studio Audience
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Are Any Shows Still Filmed In Front Of A Live Studio Audience?

Many contemporary sitcoms, including The Big Bang Theory, Mom, and Mike and Molly, continue the tradition of being filmed in front of a live studio audience, preserving the format established in earlier decades. While shows like The Big Bang Theory employ a three-camera setup and utilize live audiences, single-camera formats, such as Modern Family, have gained more popularity recently, moving away from live audiences due to their distinct style of humor. Audiences at live tapings often view the same bits repeatedly, as they witness the show's production.

ABC's "Live in Front of a Studio Audience," hosted by Jimmy Kimmel and featuring an all-star cast, revitalized interest in live tapings by recreating classic sitcom episodes, showcasing favorites like All in the Family and The Jeffersons. Although the tradition of filming comedies in front of live audiences thrived, especially in the past, many modern shows forgo this to focus on different production styles.

Notably, popular game shows like The Price is Right involve audience participation by selecting contestants from the live audience. Even though many sitcoms have shifted away from this format, shows like Saturday Night Live and The Big Bang Theory still embrace it, highlighting the energetic interaction between the audience and the performance. The reliance on live laughter is diminishing, with several comedic programs opting instead for pre-recorded laugh tracks.

Was Modern Family Filmed In Actual Houses
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Was Modern Family Filmed In Actual Houses?

"Modern Family," a popular sitcom that aired from 2009 to 2020, primarily utilizes both real locations and soundstages for its production. The colorful interiors of the series are on a soundstage at 20th Century Fox Studios in Century City, while the exterior shots feature actual homes located in Los Angeles. The Pritchett family's home, characterized by its modern design and reflective of Jay Pritchett's persona, stands out as the most luxurious property on the show.

The core of the series revolves around three family homes, which often serve as the backdrop for various scenes. Occasionally, the cast ventures out for on-location shoots, adding authenticity to the storytelling.

Fans interested in the show's filming locations will find joy in visiting the real houses in Los Angeles, including the Dunphy residence, Cam and Mitch's house, and the Pritchetts’ home. Although the interiors are filmed on staged sets, the exteriors are genuine homes, showcasing the characters' lives effectively. The filming location for exterior scenes is also notable, with the Brentwood Pritchett home being a key part of the show’s identity.

Throughout its 11-season run, "Modern Family" captivated audiences by blending real-life settings with television magic, making it a beloved part of popular culture. Each character’s home reflects their personality, and the series successfully intertwines their stories with the iconic Los Angeles landscape.

What Do Sound Stages Look Like In A Studio
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What Do Sound Stages Look Like In A Studio?

A sound stage (or soundstage) is a large, soundproof structure or room primarily used for theatrical filmmaking and television productions, typically found within secured studio properties. These stages are often uniform in appearance, resembling giant beige boxes marked with large numbers for identification. Paramount Studios, for instance, has 30 sound stages ranging from 5, 500 sq. ft. to 18, 775 sq. ft., with smaller stages mainly used for TV productions and larger stages for more extensive sets.

Equipped with advanced soundproofing, lighting systems, and other technical features, sound stages ensure ideal filming conditions while allowing for creative control over audio experiences that enhance storytelling. They are purpose-built to prevent unwanted external noise and provide an optimal environment for filmmakers. The stages include large spaces with high ceilings and large doors for equipment access. Typically, two types of soundstages exist—large studio soundstages for big-budget productions and smaller sets or schools.

The intricate process of constructing sound stages involves detailed planning and design to maximize height, width, and depth, facilitating effective audio recording and filming free from extraneous noise.

What Is One Advantage Of Shooting On A Soundstage
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What Is One Advantage Of Shooting On A Soundstage?

A sound stage, or soundstage, is a specially designed building used for film and television production, providing filmmakers absolute control over sound, lighting, and set design. Unlike location shooting, where unpredictable elements like weather and noise can disrupt filming, sound stages offer a stable environment that can be fully customized. They feature adjustable lighting options and green/blue screen capabilities, allowing creators to craft visuals that align with their artistic vision without external interference. While both sound stages and location shoots offer unique benefits and drawbacks, sound stages are particularly advantageous for projects prioritizing clean sound recording and controlled conditions.

Filmmakers can manipulate every aspect of the shoot, ensuring that every scene is executed as envisioned. The choice between sound stages and real-world locations often hinges on budget and the desired level of realism. For many productions, especially those seeking a specific atmosphere without the unpredictability of outdoor settings, renting a sound stage is an appealing option. Ultimately, understanding the distinctions and advantages between these two filming environments is crucial for successful project planning. Whether for independent films or large productions, the choice of shooting location significantly impacts the overall production experience.


📹 Ronald Isley & Burt Bacharach – A House Is Not A Home

Ronald Isley & Burt Bacharach live PBS Soundstage july 2004.


Freya Gardon

Hi, I’m Freya Gardon, a Collaborative Family Lawyer with nearly a decade of experience at the Brisbane Family Law Centre. Over the years, I’ve embraced diverse roles—from lawyer and content writer to automation bot builder and legal product developer—all while maintaining a fresh and empathetic approach to family law. Currently in my final year of Psychology at the University of Wollongong, I’m excited to blend these skills to assist clients in innovative ways. I’m passionate about working with a team that thinks differently, and I bring that same creativity and sincerity to my blog about family law.

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21 comments

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  • This is exactly what I’ve been telling folks for years. Paul is 100% correct here, most people just don’t know how to “tune” their systems. I still tweak my systems all the time because sometimes my source is not always the best, however given a very good source, I don’t have to make any adjustments and my system resolves very, very well for fairly inexpensive equipment.

  • So true. In addition to setup, think of which room you set up in, as well as how you treat your room, before buying any components. A good room (dimensions matter), with good treatment and the right placement of speakers and listening position with budget gear will sound way better than expensive gear setup poorly, in a non-treated, poorly dimensioned room.

  • He’s right, but with one modification. One must have a room that can be adjusted, or all the setting up of the speakers is not going to help much. I never had my speakers set correctly until I built a dedicated listening room, and created diffraction and absorption treatment, which I haven’t done perfectly but just applied some general principals. Then I worked on setting up the speakers with proper toe in and rake, and then the image came alive, really amazing.

  • I had recently moved and everything was still packed up except a pair of 12 dollar self powered computer speakers and a portable CD player (I think it was a Kenwood). I was really craving music so I set a pillow on the floor, I laid down facing forward and listened to those cheesy self powered speakers with the CD player. I closed my eyes and moved the speakers back and forth with my hands, increased and decreased their width and I was absolutely blown away how good I was able to make them sound in that near field scenario. Obviously the sound was only as good as the limitation of the speakers and CD player, but what I did get was amazing. Speaker positioning is EVERYTHING. The number one and most important component of any audio system, is the room. How you place speakers in that space will determine if the system sounds good or bad. Everything else is down stream.

  • Love u 💋 Paul! Hahahaha Started perusal u 3 years ago and have watched everyday. Don’t always agree and will never be able to afford your gear cause have my wife with cancer as it’s a battle for the 2nd time but it’s all good. I always enjoy your articles and try to learn. Hope u and your family have a good Christmas and New year’s. Thanks.

  • For me it was the amplifier, I have focal aria 926, I moved them in out, left right, had them straight, toed in to various different angles and i could not get the soundstage right, basically no matter the song or source (vinyl, cd, stream) i could not get the 3d image that the vocals were in the center and the sound stage was always narrow. Went from an anthem mrx 1120 to a hegel h390 without moving speakers from my previous setup soundstage was night and day, I finally got that 3d image where i could close my eyes and see the lead singer dead center! then I re-adjusted the toe in so the speakers instead of pointing at the listening position are more flat than toed in and it improved the width of the sound stage. The differences were astounding. Naturally the hegel also improved every other aspect of the sound as well but its not fair to compare the 2 devices sonically.

  • Hi Paul. Thanks for answering my question. I do have your book now. Although constrained by various limitations in set up as suggested by you, a slight increase in toe-in and moving the listening position a foot closer to the speakers has resulted in improving sound quality – certainly cleaner bass and an increase in the vertical dimension of the soundstage. PS 😉 (couldn’t resist) didn’t find the reference cd online

  • Ideally a dedicated soundproof room would be the cherry on top, Unfortunately not everyone can afford such a luxury! Exterior noises have a devastating effect on the the listening environment ! Also I prefer listening in the dark thereby eliminating any visual distractions, and focusing only on your auditory senses !

  • hi paul. i totally agree with what youre telling us to do.i get that.but what happens when we have very limited movment of our speaks.i dont have the option of been able to move my speakers to the left or the righ.just back and forth about 1.5 feet max and i can angle or toe the speaks.thats it. is it still worth purchasing the book? thanks

  • Back in the early 2000s I worked for Magnolia Audio article. We we’re lucky enough to get to train a Sumiko in Berkeley,(Vienna Acoustics, Sanus Faber, Rel, Pro-ject). We worked for 4 days solely on speaker setup in all different types of rooms and speakers. I took what I learned and set many pairs of my clients speakers in some truly funky rooms. I would guess that Paul’s book and and SACD touch on what I learned. If it does, it will be well worth the money.

  • I need an opinion: My room is 13×40, monitors are about 16″ from corners and listening position is a perfect triangle. I’m running the Emotiva auto EQ to correct the Stealth 8 monitors. Where would you start in improving acoustics with wall treatments? Or would you trust the auto EQ and call it good? My monitor placement options are limited because of furniture/TV. It sounds wonderful, but the bass is sometimes extra-resonant.

  • Hi Paul, first of all I want to thank you for the knowledge and experience you pass on to us, also for dedication and pasion which I see in every answer because that is the real true gold. If I will ever have the opportunity to reach US I will gladly visit PS Audio. My question is what is happening with the freq response when connecting speakers in series, because every loudspeaker may become a filter for others and also speakers already have filters integrated (theoretically assuming that the speakers are two-way or three-way and identical)? A common example would be the case where we connect two 4 ohm speakers in series to an 8 ohm amp, which are the most affected frequencies and how much?

  • Speakers can end up being like binoculars with one side out of focus with the other.. or, actually getting both in focus to see the picture with clarity and depth. That requires devising a means to get both speaker angels the same within very close tolerance… And, getting the height just right. Sad to say… Without adjustable stands all ends up being a compromise.

  • Now here is a funny thing . In pre covid days used to attend a lot of live classical music concerts and opera performances . Not once during those concerts or performances was i ever listening to the “soundstage ” or even concerned about “imaging ” or ” accuracy ” . I simply enjoyed and appreciated the music as it reached my brain via my ears . I listen to the illusion of live music via my Hi Fi system in the same manner . All this audiophile psycho-babble jargon is a disease that appears to be a cause of discontent and anxiety amongst some listeners that does not seem to concern, stress or affect me at all .

  • The guide sounds very good. I like the idea of having a specific set of tracks and a guide to what you should hear and how to achieve it. It is a shame that you started promoting it so far in advance of it actually being available. You have described the basics of how to set up so often it might make sense to hold off questions where the best answer is read the book until there actually is a book.

  • Simple and straightforward it would appear. Reminds one of that old adage “It’s the economy stupid.” Though the variables in our listening rooms are anything but simple, those spaces are still the “sound” place to begin to seek improvement. The god awful sliding glass door and flat screen TV panel in my room are the sound equivalent of a bouncy castle. Maybe $399 cables will be the fix?

  • My desktop class D/dayton bookshelf setup blows away a few high end den setups ive had the displeasure of listening to. Thats before we even get to my den area that was arranged around a properly setup, custom designed system, placed in the room after diffusion treatment, then the den space organized around the system. However some people have wives and kids and shit, or a general lack of space and proper setup is just plain impossible. One friend of mine with a $4-5000 onkyo/klipsche 7.1.1 setup from drooling over my den setup that barely cost me over a grand to put together every single time he’s over here. But he has kids and a wife that prevent him from setting it up properly. (he bought the system while was still just a GF, not wide and kids lolol) He actually stops by to have a smoke and listen to my system almost every single day on his way home from work actually. Although even with proper setup, i still think my custom 2.1 system would blow that 7.1.1 system of his away as far as shear fidelity and quality of soundstage goes anyway. I already know my crossover networks if pulled out would make those klipsch tower crossovers just look sad. I think im about $1600 into my setup. My speakers are 2 cuft 3 way enclosures repurposed from old AR series 660 studio monitors. Drivers picked very specifically for the cuft of the enclosure, crossover network tuned to perfectly match the impedance curves of the drivers, and i used GRS ribbon tweets to make filtering for the tweeter effortless as well.

  • Paul sadly I cannot find The Audiophiles Guide on Amazon, nor the SACD/download you refer to, on the PS Audio website. Links might be helpful. Maybe referring to these, pre production is somewhat premature, certainly frustrating. Likewise I hope they will be available to you golbal audience, not just limited to CONUS.

  • Your articles used to be great but since you started mentioning the audiophile’s guide earlier this year you stop even providing a very simple basic answer and rumble the whole article about buying your product. I am sure it’s worth the money, but making a 5min+ article without even the most basic answer must feel extremely disappointing for most people perusal this article. So for those who were eagerly waiting for at least a basic answer but could not find it in this article here it is (I am confident that Paul will provide a way more detailed and thorough many pages long detailed description of all variants but for someone desperately looking for an answer at least one common one should be provided): The whole setup matters (room acoustics, matching components, etc …) but Paul only referred to the correct placement of the speakers within the room. A few different but great working speaker placements work wonderfully, the best one you can do is the rule of thirds (one third speakers placed from back wall, one third of the room length behind you … you may sit exactly at this spot or slightly forward). From the sides (room width) both should be equal distance to the side wall and you should sit straight in the middle. If you sit slightly to one side but still within that triangle it will still have a great soundstage, it will only be slightly worse. However do not move outside of this triangle side-wise. The distance to the side walls is calculated by placing them somewhat close together on one line and start listening.

  • Nah. It’s EVERYTHING. The room and speakers, so long as they’re not horrible, doesn’t matter nearly as much as most would think. Floyd Toole would agree wrt the room, the brain is very good at separating the room from the source of the sound and has talked about this. About 17 min in… cirmmt.org/activities/distinguished-lectures/toole?set_language=fr&-C= Electronics, AC power quality and cables, especially interconnect cables, and vibration management separate a system with a boring 2-D soundstage from a system with an enveloping, 3D soundstage. You can have the best speakers and ideal room acoustics and still have a boring, 2D soundstage.

  • I agree set up is a factor but I really don’t think there is a “right way” and a “wrong way” to do it. It is true there is certain things you can do/change that will give you certain results. It’s that some of it is just flat out unpractical and the rules don’t work. As an example you are not moving my RS IIIa’s, 6 feet into a room, with a listening chair 6 feet off the back wall, in a room that is only 18 feet wide. I would have 4 foot tall speakers 6 feet from me.

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